{"title":"Printing History","description":"","products":[{"product_id":"a-typographic-journey-the-history-of-the-greenwood-press-and-bibliography-1934-2000","title":"A Typographic Journey: The History of the Greenwood Press and Bibliography, 1934–2000","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 1999. 323 pages.\u003c\/p\u003e\n\u003cp\u003eBook measures 8.25 x10.5 inches. \u003cmeta charset=\"utf-8\"\u003eBibliography by Glenn Humphreys. Green cloth with letterpress printed paste down label to spine. A concise and in depth book detailing Jack Stauffacher’s life as a printer and publisher. Includes writings by Stauffacher, correspondence with friends, reviews of his work and other related material. Includes B\u0026amp;W photographs throughout referencing his work and life discussed in the text. A beautifully designed and printed book. Limited edition of 450 copies. Signed by Stauffacher.\u003c\/p\u003e\n\u003cp\u003eFine in Very Good white paper dust jacket which is letterpress printed with some of Stauffacher's wood type. DJ shows faint rubbing and one small stain to bottom portion of back cover near spine.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":46522494091438,"sku":"","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Stauffacher_9f418f39-bf23-49ae-b0f9-1dc120be03c1.jpg?v=1748286400"},{"product_id":"janson-a-definitive-collection","title":"Janson: A Definitive Collection","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 1954. 64 pages.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOblong book measuring 9.75\" x 6.75\". Handset in Stempel Kis-Janson types. Printed on French Rives mould-made paper. Three folding plates with illustrations tipped in. Bound in paper over boards with goat parchment spine. Edition of 350 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOne of Stauffacher's most important books. A beautifully printed specimen book of his recently acquired run of Kis-Janson types from  A.G. Stempel Frankfurt \/ Main. He provides background on the type, and the punch cutter Nicholas Kis who was responsible for cutting the punches for this typeface which Stempel acquired and mistakenly attributed to Anton Janson. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAn excellent clean copy in tight binding. Near Fine. Scarce.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":46549465268398,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/IMG_7760.jpg?v=1748954593"},{"product_id":"victor-hammer-artist-printer-victor-hammer-artist-and-craftsman-two-volumes","title":"Victor Hammer: Artist \u0026 Printer. Victor Hammer: Artist and Craftsman - Two Volumes.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Editions published in 1978 \u0026amp; 1981. \u003cmeta charset=\"utf-8\"\u003eTwo volumes. The first published by David R. Godine in 1978. Includes Rothstein’s essay ‘Victor Hammer: Artist and Craftsman’ \u0026amp; ‘The Kolbsheim Chapel’ by Hammer (excerpts from A Chapel Built, Liturgical Arts, May, 1944) and includes color plates. Second title published by The Anvil Press in 1981. Included essays by Rudolf Koch and Ulrich Middeldorf. This volume covers mezzotints, engravings \u0026amp; woodcuts, Inscriptions \u0026amp; symbols, Uncial type faces (text by Hermann Zapf), and a bibliography. Both volumes are printed in Dante type at the Stamperia Valdonega in Verona, Italy. Volume two states it was designed by Martino Mardersteig. Volume 2 is #171 of 550 copies. Edition size of Godine volume is not stated, but assumed to be 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBoth copies are Fine in orange cloth. Slipcase to Volume one is in matching orange cloth and is in Very Good condition showing one small faint stain to top spine and along top edge. Slipcase to volume 2 is cardboard and is VG+ showing light fading.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":46554356711598,"sku":"","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/IMG_3017.jpg?v=1749078816"},{"product_id":"giovanni-and-martino-mardersteig-book-designers-typographers-and-printers-in-verona-catalogue-of-the-exhibition-celebrating-sixty-years-since-the-founding-of-the-press-stamperia-valdonega-1948-2008","title":"Giovanni and Martino Mardersteig. Book Designers, Typographers, and Printers in Verona. Catalogue of the exhibition celebrating sixty years since the founding of the press Stamperia Valdonega 1948–2008","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFirst Edition, 2008. 100 pages. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBook measures 8.25 x 11.75 inches. Includes essays by Jerry Kelly, Hermann Zapf, Martino Mardersteig, and Kevin Perryman. Contains a list of exhibited books in the exhibition as well as  21 plates of books. An account of this historic press, from Giovanni’s early days of metal type and hand press work, to his son Martino’s transition into offset printing and digital type revivals. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eNear Fine in clean bright wrappers. A clean tight copy.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":46621954932910,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Mardersteig.jpg?v=1753052851"},{"product_id":"woodblock-kuchi-e-prints-reflections-of-meiji-culture","title":"Woodblock Kuchi-e Prints: Reflections of Meiji Culture","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 2000. 284 pages. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBook measures 7.25 x 10.25 inches. Includes 78 color plates of prints. \u003cem\u003eWoodblock Kuchi-e Prints: Reflections of Meiji Culture\u003c\/em\u003e is a pioneer exploration of a previously neglected genre of late-Meiji art: the type of handmade multicolor book frontispieces known as kuchi-e. Early European collectors assumed that the Japanese woodblock tradition came to an end in Western-tainted prints. In their examination of this late flowering of the woodblock print, the authors provide not only an introduction to a popular artistic tradition but also a new lens through which to view Japanese life at the end of the nineteenth century.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003eNear Fine in Near Fine dust jacket.\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman; font-size: large;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":46765393313966,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Kuchi-e-Prints-1.jpg?v=1754772235"},{"product_id":"sixteenth-century-printing-types-of-the-low-countries","title":"Sixteenth-Century Printing Types of the Low Countries","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 1968. 366 pages. \u003cmeta charset=\"utf-8\"\u003eBook Measures 9 x 12 inches. Translated from the Dutch and with a foreword by Harry Carter. Includes 267 illustrations throughout the text. Erratta slip laid in.\u003c\/p\u003e\n\u003cp\u003eThis book is a catalogue, annotated and illustrated with specimens, of the types made during the sixteenth century in the area now covered by Holland and Belgium. In the Southern Netherlands especially, talented punch-cutters were working under the influence of greater artists in France in an idiom suited to the traditions of their own country, preparing the ground for the flowering of a distinctively Dutch style of typography in the century to come. This study aims not only to give a detailed survey of the history of sixteenth century type design in the Low Countries, but also to provide philologists, historians, and bibliographers a tool to identify sixteenth century types of the Netherlands. The typefaces dealt with are illustrated by reproductions of pages of sixteenth century books and by impressions of new type cast in the original matrices, if the matrices still exist, or, if they do not, by composite photographs showing the characters of the fount.\u003c\/p\u003e\n\u003cp\u003eNear Fine in burgundy cloth with gilt lettering to spine and embossed lettering to front cover. Thin dust jacket shows mild rubbing and light wear to edges. No chips or tears. Binding is tight. Near Fine \/ Very Good.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":46792183480494,"sku":null,"price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Sixteenth-Century-Printing-Types-of-the-Low-Countries-1.jpg?v=1755459631"},{"product_id":"origins-of-the-chinese-avant-garde-the-modern-woodcut-movement","title":"Origins of the Chinese Avant-Garde: The Modern Woodcut Movement","description":"\u003cp\u003eFirst Edition, 2008. 300 pages. Book measures 7.25 x 10.25 inches. Includes 10 color plates and 75 B\u0026amp;W illustrations throughout the text.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eOrigins of the Chinese Avant-Garde\u003c\/em\u003e, Xiaobing Tang studies the art and art theories of the first half of the twentieth century, when modern Chinese art and literature emerged. He argues that the most consequential expression of the avant-garde was the modern woodcut movement that thrived in China in the 1930s. In this innovative study—also the first comprehensive account of this Chinese movement available in English—Tang examines the aesthetic, intellectual, and social appeal of the modern woodcut and places the movement at the intersection of historical events, individual efforts, and competing discourses on art. He also shows how the woodcut movement drew upon international inspiration from German Expressionism, Soviet wood engravings, and Japanese creative prints.\u003c\/p\u003e\n\u003cp\u003eTop spine of book shows very slight lean, otherwise Near Fine in clean bright Near Fine dust jacket. Binding is solid.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":46812219506862,"sku":null,"price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Origins-of-the-Chinese-Avant-Garde-1.jpg?v=1755993420"},{"product_id":"unjustified-texts-perspectives-on-typography","title":"Unjustified Texts: Perspectives on Typography","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRevised edition, 2011. 392 pages. \u003c\/p\u003e\n\u003cdiv\u003eBook measures 5 x 8.25 inches. Second edition with minor revisions by the author. (this book was originally published in 2002). A great collection of essays by Kinross covering many people and topics within the field of typography and design. Subjects include Adrian Frutiger, Norman Potter, F. H. K. Hernrion, Karel Martens, Neville Brody, Herbert Read, Jan Tschichold, Penguin Books, News papers, Road Signs and much more. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eVery Good+ in wrappers showing light rubbing, and slight sun fading to spine. Binding is tight.\u003c\/div\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":46964400423086,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Robin-Kinross-Unjustified-Texts-1.jpg?v=1759093965"},{"product_id":"a-view-of-early-typography-up-to-about-1600","title":"A View of Early Typography: Up to About 1600","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition Thus, 2002. 137 pages.\u003c\/p\u003e\n\u003cdiv\u003eBook measures 5.5. x 8.5 inches. A reprint of this long-out-of-print and now classic work, which summarizes what can be known about the production and use of type in the first 150 years of printing. Originally a set of lectures, the book is an informal discourse by a master of his topic. The argument is illustrated with a large gathering of pictures. A new introduction by James Mosley explains the significance of the book and gives a short account of Carter’s life and work.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNear Fine in thick French Fold wrappers. Faint sunning to spine, and a trace to edge of back cover near spine. Otherwise Near Fine in square tight binding.\u003c\/div\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47029273821358,"sku":null,"price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Harry-Carter-A-View-of-Early-Typography-1.jpg?v=1760228126"},{"product_id":"hermann-zapf-and-the-world-he-designed","title":"Hermann Zapf and the World He Designed","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 2019. 368 pages. \u003cmeta charset=\"utf-8\"\u003eBook measures 6.25 x 9.25 inches. Blue cloth, no dust jacket as issued. Includes 412 color, 15 B\u0026amp;W illustrations.\u003c\/p\u003e\n\u003cdiv\u003eIn this comprehensive biography of Hermann Zapf, Jerry Kelly, Zapf's friend and colleague of almost 40 years, traces the artist's life from his youth in Nuremberg to his retirement in Darmstadt. Scrupulously researched at the Hermann Zapf archive in the Herzog August Bibliothek in Wolfenbüttel and at the Cary Collection at the Rochester Institute of Technology, and enriched by decades of conversations with Zapf and his associates, the book details Zapf's experiences with type companies, printers, publishers, and colleagues. It explores his modern design aesthetic and engagement with the staggering technological advances of typography during the twentieth century. Featuring rarities and never-before-seen works and photos, it also includes definitive lists of Zapf's type designs and major calligraphic works. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eStill sealed in publishers shrinkwrap. As New copy.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47177578348718,"sku":null,"price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Hermann-Zapf-1.jpg?v=1763934142"},{"product_id":"matrix-9-a-review-for-printers-bibliophiles","title":"Matrix 9: A Review for Printers \u0026 Bibliophiles","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 1989. 201 pages. \u003c\/p\u003e\n\u003cdiv\u003eBook measures 8 x 11.5 inches. \u003cmeta charset=\"utf-8\"\u003eEdited by John \u0026amp; Rosalind Randle.\u003cb\u003e \u003c\/b\u003eNinth issue of this incredible annual by the Whittington Press. Softcover with dust jacket. Contains contributions from John Randle, Robert Gibbings, Fiona MacCarthy, John Dreyfuss, Martin Andrews, Mark Arman, Ward Ritchie, Sebastian Carter, Fiona Ross, Patrick Reagh among many others. The entire edition is printed letterpress in Monotype Caslon, and includes half tone plates printed as tritones along with line block images throughout the text. Edition of 820 copies bound in stiff covers.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNear Fine in Near Fine dust jacket. A very nice copy.\u003c\/div\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47232326959278,"sku":null,"price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Matrix-9-cover.jpg?v=1765114189"},{"product_id":"matrix-8-a-review-for-printers-bibliophiles","title":"Matrix 8: A Review for Printers \u0026 Bibliophiles","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 1988. 191 pages. \u003c\/p\u003e\n\u003cp\u003eBook measures 8 x 11.5 inches. \u003cmeta charset=\"utf-8\"\u003eEdited by John \u0026amp; Rosalind Randle. Eighth issue of this incredible annual by the Whittington Press. Softcover with dust jacket. Contains contributions from Michael taylor, Brooke Crutchley, Vance Gerry, Roderick Cave, Phillip Gallo, Tanya Schmoller, Ward Ritchie, Sebastian Carter, John Ryder, among many others. The entire edition is printed letterpress in Monotype Caslon, and includes color plates and half tone images throughout the text. Edition of 800 copies bound in pattern paper designed by Vance Gerry.\u003c\/p\u003e\n\u003cp\u003eNear Fine in Near Fine dust jacket. A very nice copy.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47232328597678,"sku":null,"price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Matrix-8-cover.jpg?v=1765114379"},{"product_id":"matrix-5-a-review-for-printers-bibliophiles","title":"Matrix 5: A Review for Printers \u0026 Bibliophiles","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Printing, 1985. 165 pages. \u003c\/p\u003e\n\u003cp\u003eBook measures 8 x 11.5 inches. \u003cmeta charset=\"utf-8\"\u003eEdited by John \u0026amp; Rosalind Randle. Fifth issue of this incredible annual by the Whittington Press. Softcover in thick letterpress printed French-fold wrappers. Contains contributions from Hans Schmoller, David McKitterick, John Dreyfuss, Enid Marx, Sebastian Carter, Brooke Crutchely, John Randle, John Ryder, Roderick Cave among many others. The entire edition is printed letterpress in Monotype Caslon, and includes color plates and half tone images throughout the text.\u003c\/p\u003e\n\u003cp\u003eWrappers show light wear, and the spine is slightly concave with faint creases (earlier issues of \u003cem\u003eMatrix\u003c\/em\u003e have the dust jacket glued to the spine unlike dust jackets on later copies). Binding is solid. Overall a Very Good copy of an early issue of the periodical which are more uncommon than later issues.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47232330137774,"sku":null,"price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Matrix-5-cover.jpg?v=1765114524"},{"product_id":"gundrun-zapf-von-hesse-bindings-handwritten-books-typefaces-examples-of-lettering-and-drawings","title":"Gundrun Zapf von Hesse: Bindings, Handwritten Books, Typefaces, Examples of Lettering and Drawings","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 2002. 222 pages.\u003c\/p\u003e\n\u003cdiv\u003eBook measures 8 x 11.25 inches. Royal blue cloth with gilt lettering to front cover and spine. No dust jacket as issued. Text in German and English, and includes 4 page folded insert of English translations of translation to descriptions all of the plates. This book is the first comprehensive review of the work of Gudrun Zapf von Hesse. It is a visual essay and a record of her accomplishments in bindings, handwritten books, typefaces, lettering and typography, drawings, and other artworks. Illustrated throughout with color photographs of her bindings and facsimile reproductions of her typographic work. A beautifully produced volume, typeset in Gundrun's Nofret Roman typeface.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNear Fine. A clean bright copy in tight binding. \u003c\/div\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47280717922478,"sku":null,"price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Gudrun-Zapf-von-Hesse-1.jpg?v=1766533840"},{"product_id":"the-scythe-and-the-rabbit-simon-de-colines-and-the-culture-of-the-book-in-renaissance-paris","title":"The Scythe and the Rabbit: Simon de Colines and the Culture of the Book in Renaissance Paris","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 2012. 288 pages. Edited and introduced by Robert Bringhurst.\u003c\/p\u003e\n\u003cp\u003eBook measures 6 x 9 inches. Thick French-fold wrappers. Simon de Colines was one of the greatest typographers, printers and publishers of the Renaissance. He has nevertheless been unfairly neglected. Apart from a pair of scholarly bibliographies, published a century apart, this is the first book-length study of his work. This collection of essays on Simon de Colines was written by Kay Amert over decades of study and research. Due to her untimely death, the book she envisioned never came to be. Fortunately, this work was collected and edited by Robert Bringhurst and brought to life in this wonderful volume. Includes illustrations throughout. A very well designed book by Bringhurst as well.\u003c\/p\u003e\n\u003cp\u003eAs Robert Bringhurst writes in his introduction to this volume, “Colines as much as anyone built the semiotic structure of the book as we now know it, with its chapter headings and subheads, page numbers and running heads, tables of contents, indices, and source notes. He also cut lucid and beautiful type at a crucial moment: when the Latin and Greek alphabets were still engaged in their historic metamorphosis from manuscript to metal.…” But Colines was a great publisher as well as a fine technician. “He printed authors and texts that were central to his idea of civilization – Aristotle, Cicero, Sophocles, Hesiod, Horace, Ovid, Virgil, Statius, Martial, Terence, Euclid, Hippocrates, Galen – along with the best of their Renaissance followers and interpreters. Reading his books, these five centuries later, is a serious education not in typography alone but in philosophy, poetry, astronomy, medicine, law, and mathematics.” \u003c\/p\u003e\n\u003cp\u003eA Fine copy in square tight binding.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47304230305966,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/The-Scythe-and-the-Rabbit.jpg?v=1767133554"},{"product_id":"a-bibliography-of-the-auerhahn-press-its-successor-dave-haselwood-books","title":"A Bibliography of the Auerhahn Press \u0026 its successor Dave Haselwood Books","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 1976. 89 pages.\u003c\/p\u003e\n\u003cdiv\u003eBook measures 6.5 x 9.5 inches. Hardcover covered in silkscreened cotton of Auerhahn device by Philip Van Aver, with spine label. Includes three pieces of ephemera laid in, including: \u003cem\u003eA Poem for Benzedrine\u003c\/em\u003e by John Wieners, a facsimile letter by Haselwood, and a facsimile verifax work by Wallace Berman for Jack Hirschman.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAn in depth history of Dave Haselwood's activity as a letterpress printer \u0026amp; publisher beginning with the Auerhahn Press in the Bay Area during the 1950s, and chronicling his later imprint Dave Haselwood Books. Includes many details from books and ephemera reproduced in facsimile. Auerhahn published books by Philip Lamantia, Michael McClure, John Wieners, Lew Welch, Phil Whalen, David Meltzer, Diane di Prima and William Burroughs. Over 40 books are describe, as well as broadsides, ephemera, and jobwork done by the press. A beautiful book printed letterpress by Alastair Johnston, and an unconventional bibliography done in the spirit of the content. An uncommon book on all levels. Highly recommended. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eA Fine copy. \u003c\/div\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47465031041198,"sku":null,"price":115.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Auerhahn_Bibliography-1.jpg?v=1770391754"},{"product_id":"a-bibliography-of-the-white-rabbit-press","title":"A Bibliography of the White Rabbit Press","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 1985. 93 pages.\u003c\/p\u003e\n\u003cdiv\u003eBook measures 6.25 x 9.25 inches. Grey cloth. The White Rabbit Press was established in 1957 by Joe Dunn, at the suggestion of Jack Spicer. Dunn produced 10 titles by mimeo, including works by Denise Levertov, Robert Duncan, Richard Brautigan, Charles Olson and Helen Adam, with covers by the artist Jess. In 1962 the imprint was revived by Graham Mackintosh, again at Spicer’s urging, and he went on to become one of the best-known printers in California (later producing books for Black Sparrow Press and many other imprints). He produced 53 more White Rabbit titles through 1981. The bibliography documents books, broadsides, and ephemera and tells the story of Buzz Gallery and the Natoma Tap-dance Society with which Mackintosh was intimately involved.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFine in Fine dust jacket.\u003c\/div\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47465035104430,"sku":null,"price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/A-Bibliography-of-the-White-Rabbit-Press-1.jpg?v=1770391804"},{"product_id":"the-islamic-manuscript-tradition-ten-centuries-of-book-arts-in-indiana-university-collections","title":"The Islamic Manuscript Tradition: Ten Centuries of Book Arts in Indiana University Collections","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 2010. 284 pages.\u003cspan\u003e Book measures 8.75 x 11.25 inches.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOver the course of ten centuries, Islam developed a rich written heritage that is visible in paintings, calligraphies, and manuscripts. \u003cem\u003eThe Islamic Manuscript Tradition\u003c\/em\u003e explores this aspect of Islamic history with studies of the materials and tools of literate culture, including pens, inks, and papers, Qur'ans, Persian and Mughal illustrated manuscripts, Ottoman devotional works, cartographical manuscripts, printed books, and Islamic erotica. \u003c\/p\u003e\n\u003cp\u003eThis volume's introduction serves as a broad overview of the materials in the Indiana collections and Islamic book traditions more generally. The seven essays present new scholarship on a wide range of topics including collection, miniaturization, illustrated devotional books, the history of the printing press in Islamic lands, and the presence and function of erotic paintings. A beautifully produced volume which includes 111 color illustrations. Edited by Christiane Gruber.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNear Fine in Near Fine dust jacket which shows only faint signs of rubbing. A very solid copy.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47636650557614,"sku":null,"price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/The-Islamic-Manuscript-Tradition.jpg?v=1773521843"},{"product_id":"ellipsis","title":"... (Ellipsis)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 2008. 124 pages.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBook measures 6 x 9 inches. This volume gathers together 20 essays, reviews and musings by Johnston on a wide variety of book, printing, and small press related topics. Includes writings on Joanne Kyger, Philip Whalen, Wallace Berman \u0026amp; Semina, Lucia Berlin, Robert Grenier, H.N. Werkman, Basil Bunting and more.\u003c\/p\u003e\n\u003cp\u003eA Fine copy.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47704159158446,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Ellipsis.jpg?v=1775409371"},{"product_id":"zephyrus-image-a-bibliography-copy","title":"Zephyrus Image: A Bibliography","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 2003. 243 pages.\u003c\/p\u003e\n\u003cp\u003eBook measures 6.5 x 9.25 inches. I\u003cmeta charset=\"utf-8\"\u003encludes 104 illustrations of Zephyrus Image related items and 27 photos by Rob Rusk and Ellen Mann. An incredible deep dive by Alastair Johnston.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"Zephyrus Image, the brainchild of Holbrook Teter \u0026amp; Michael Myers, was a Northern Californian press that operated through the nineteen-seventies — a time of great social change in America. With their own idiosyncratic methods they produced subversive, anarchic works of great wit and elegance that lampooned the foolish. They attacked the Nixon White House and took on environmental adversaries, donating their labour to worthy causes. They subverted the gallery system and ignored normal channels of distribution open to small presses, taking their work to the streets to give away. Poets Ed Dorn \u0026amp; Tom Raworth were strongly allied with them, and they published a varied and eclectic range of work by Robert Creeley, Joanne Kyger, Fielding Dawson, Robert Bly, Lucia Berlin, Gary Snyder, Stan Brakhage \u0026amp; William T. Wiley. This bibliography tells their story, and details their output, pointing out the strong connection between their creative use of structure in paper engineering and the Artist’s Book movement that appeared in their wake.\"\u003c\/p\u003e\n\u003cp\u003eA Fine copy in Fine dust jacket.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47704159551662,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Zephyrus-Image-A-Bibliography-1.jpg?v=1775411323"},{"product_id":"typografische-monatsblatter-tgmt-m-nr-5-1981","title":"Typografische Monatsblatter - TGMT M. Nr. 5 \/ 1981","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 1981. \u003cmeta charset=\"utf-8\"\u003eBook measures 9 x 11.75 inches. \u003c\/p\u003e\n\u003cp\u003eCover design and introduction by Phillipp Luidi. This issue is trilingual, in German, French, and English. Contains many black-and-white plates throughout. This issue focuses on 'Virtue', or 'Tugend' in German. Corners at fore edge show light light bumping. Otherwise Very Good in solid binding.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47807434916014,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Typografische-Monatsblatter_707a53c1-1713-44f9-ace7-95d816b14987.jpg?v=1777808514"},{"product_id":"hermann-zapf-and-his-design-philosophy-inscribed-to-max-caflisch","title":"Hermann Zapf and His Design Philosophy - Inscribed to Max Caflisch","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 1987. 256 pages.\u003c\/p\u003e\n\u003cdiv\u003eBook measures 8.25 x 12 inches. Introduction by Carl Zahn. The most complete monograph available on the work of Hermann Zapf. Fully illustrated throughout with color and black and white plates of examples of Zapf's drawings, type designs, book designs and related ephemera. A Beautifully printed volume in West Germany, set in Zapf's Optima. This copy is Inscribed by Zapf to his colleague, the esteemed typographer and designer Max Caflisch. Also laid in is a bookmark measuring 2.125\" x 10.625\" containing a printed calligraphic design by Zapf, with an additional inscription to Caflisch. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBook is in Fine condition in square tight binding. Dust Jacket shows light wear to edges of top spine, and minimal traces of edge wear. Fine \/ Very Good+\u003c\/div\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47807446810798,"sku":null,"price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Hermann-Zapf-and-his-Design-Philosophy-1.jpg?v=1777810015"},{"product_id":"beyond-line-the-art-of-korean-writing","title":"Beyond Line: The Art of Korean Writing","description":"\u003cp\u003eFirst Edition, 2019.\u003c\/p\u003e\n\u003cp\u003eBook measures 8.75 x 12.75 inches. 408 pages. Illustrated paper-covered boards. No dust jacket as issued. Edited by Stephen Little and Virginia Moon, with contributions by Insoo Choo, Lee Dong Guk, Yi Wanwoo, among others.\u003c\/p\u003e\n\u003cp\u003eOffering an extraordinary window into Korean culture, this large and extensive volume brings a multidisciplinary approach to the history of Korean writing—from the earliest texts from the Three Kingdoms period to its use in contemporary art. \u003cem\u003eBeyond Line\u003c\/em\u003e discusses the social and cultural conditions that led to the creation of calligraphic works by a wide range of people, including kings, queens, officials, scholars, painters, monks, and even slaves. It also explores the variety of materials employed in the creation of the art—from paper, ink, and bamboo to ceramics, silk, and metal. In addition, it looks at how calligraphy was used both to maintain Korea’s historical class structure and, as literacy spread, to incite social change for women, merchants, and other segments of society. The authors explore how the invention of the hangeul phonetic script led to a more global identity for Korea, and how this script continues to shape contemporary art and design. \u003cem\u003eBeyond Line\u003c\/em\u003e illuminates the restrained beauty, strength, and flexibility of Korean calligraphy.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA Fine copy. As New condition.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47836152725678,"sku":null,"price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Beyond-Line-The-Art-of-Korean-Writing.jpg?v=1778338627"},{"product_id":"tanrokubon-rare-books-of-seventeenth-century-japan","title":"Tanrokubon: Rare Books of Seventeenth-Century Japan","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFirst Edition, 1984. 228 pages.\u003c\/p\u003e\n\u003cp\u003eBook measures 7.5 x 10.5 inches. Paper-covered boards in paper-covered slipcase. Foreword by Matsumoto Ryushin. Includes the essay 'The Development of \u003cem\u003eTanrokubon\u003c\/em\u003e and the period of their publication', The Art of \u003cem\u003eTanrokubon\u003c\/em\u003e Illustrations', Tanrokubon as Literature', 'The Term \u003cem\u003eTanrokubon\u003c\/em\u003e'; and then breaks down into Tanrokubon illustrations and synopses of the texts in the following categories: A Classical Tale (\u003cem\u003eKo-monogatari\u003c\/em\u003e), War Tales (\u003cem\u003eGunki Monogatari\u003c\/em\u003e), Kowakamai Librettos (\u003cem\u003eKowaka Shohon\u003c\/em\u003e), \u003cem\u003eOtogizoshi, Kamazoshi\u003c\/em\u003e, and Old Joruri Librettos (\u003cem\u003eKo-joruri Shohrn\u003c\/em\u003e). Includes notes, glossary, selected bibliography, and index at the end of the text.\u003c\/p\u003e\n\u003cp\u003eNear Fine in Near Fine slipcase. A very nice copy.\u003cbr\u003e\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47933158817966,"sku":null,"price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/Tanrokubon-Rare-Books-of-Seventeenth-Century-Japan-1.jpg?v=1780354894"},{"product_id":"the-art-of-surimono-privately-published-japanese-woodblock-prints-and-books-in-the-chester-beatty-library-dublin","title":"The Art of Surimono: Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin","description":"\u003cp\u003eFirst Edition, 1985. 570 pages. Books measures 10 x 13.25 inches. Red cloth. Two volumes in black slipcase. Illustrated throughout with black and white \u0026amp; color illustrations.\u003c\/p\u003e\n\u003cp\u003eThe Japanese word surimono means \"a printed object\". During the 1760s, it began to be applied to a new form of woodblock print whose popularity lasted well into the nineteenth century: the privately commissioned print, published in a limited edition for distribution among a circle of friends or associates. Most surimono fall into one of two categories: those which commemorate a special event and those which combine a picture with verse. Both types incorporate a written text, and one of the most rewarding qualities of surimono lies in the extraordinary subtlely (especially in verse surimono) with which the artist complements with his imaginary the content of the text, so that picture and words together yield a richer experience than either could create independently. The advent of surimono coincided with major advances in color-printing, and the form was to attract artists to the stature of Gakutei, Hokkei, Hokusai, Kunisada, Shinsai and Shumman. \u003c\/p\u003e\n\u003cp\u003eThis publication provides an illustrated catalogue for the collection compiled by the English Scholar Jack Hillier for the Chester Beatty Library, Dublin. The first and largest of its three sections includes surimono in the Ukiyo-e style procuced in the Edo between the 1760s and 1840s. The second includes the privately printed illustrated books and albuns which are also in the library. The third consists of prints by artists of the Shijo school, mostly created in Osaka 1850-70. The catalogue is preceded by a historical introduction; biographies of the artists are given before the relevant entries and two final sections are devoted respectively to an index of the kyoka poets whose verses appear on the surimono in the first section and to later copies of the prints.\u003c\/p\u003e\n\u003cp\u003eBoth volumes are Near Fine in Near Fine dust jackets. Slipcase is Very Good, showing light wear. A very clean set.\u003c\/p\u003e","brand":"Bendowa Books","offers":[{"title":"Default Title","offer_id":47981869629614,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/0149\/3166\/files\/The-Art-of-Surimono-2.jpg?v=1781377905"}],"url":"https:\/\/bendowabooks.com\/collections\/printing-history-books-on-books.oembed?page=2","provider":"Bendowa Books","version":"1.0","type":"link"}